目录
| 发行方 | Ethiopian Empire (Ethiopia) |
|---|---|
| 年份 | 1896 |
| 类型 | Coin pattern |
| 面值 | 1 Birr / Thaler (አንድ፡ብር) |
| 货币 | Birr / Thaler (1893-1931) |
| 材质 | (White Metal) |
| 重量 | |
| 直径 | |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | Milled |
| 方向 | |
| 雕刻师 | Jean Lagrange |
| 流通至 | |
| 参考资料 |
| 正面描述 | Uniface, reversed text |
|---|---|
| 正面文字 | Latin |
| 正面铭文 |
THALARI (Translation: Thaler) |
| 背面描述 | Lion of Judah: Crowned lion carrying cross |
| 背面文字 | Ge`ez, Latin |
| 背面铭文 | A |
| 边缘 | |
| 铸币厂 |
A Monnaie de Paris, Paris (and Pessac starting 1973), France (864-date) |
| 铸造量 |
ND (1896) A - - |
| Numisquare 编号 | 4338057370 |
| 附加信息 |
Historical Context: The 1896 1 Birr Menelik II Reverse Trial coin emerges from a pivotal year in Ethiopian history, coinciding with the decisive Battle of Adwa, where Emperor Menelik II successfully defended Ethiopia's sovereignty against Italian colonial ambitions. Menelik II (reigned 1889-1913) was a transformative figure, driving significant modernization efforts, including the establishment of a national currency. The introduction of the Birr was a crucial step in asserting economic independence and solidifying the empire's status on the world stage, reflecting a period of intense national pride and consolidation.
Artistry: While the specific engraver for this trial piece remains unconfirmed, the artistic style strongly suggests European influence, likely from a prominent European mint responsible for producing Ethiopia's early modern coinage. The design adheres to a European academic or neoclassical school, skillfully adapting traditional Ethiopian imperial iconography. As a "Reverse Trial," this piece focuses on the reverse design, which typically features the majestic Lion of Judah, a powerful symbol of the Solomonic dynasty, often holding a banner with the imperial motto. This trial likely explored variations in the lion's depiction, legend placement, or overall composition.
Technical/Grading: As a "White Metal" trial, this coin was not intended for circulation, making it exceptionally rare. Trial pieces often exhibit a superior strike, showcasing the full potential of the dies before mass production. Key high-points on the reverse, such as the intricate details of the Lion of Judah's mane, its crown, and the inscription on the banner it clutches, would typically show the earliest signs of wear on circulated examples. On this trial, these features should be exceptionally sharp. The "White Metal" composition, likely an alloy, would possess unique surface characteristics and preservation qualities distinct from the intended silver issues.