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1 Binio - Imitating Septimius Severus, 193-211, and Julia Domna, 193-217
| Emittent | Uncertain Germanic tribes |
|---|---|
| Jahr | 250-325 |
| Typ | Anmelden um Details zu sehen |
| Nennwert | Anmelden um Details zu sehen |
| Währung | Anmelden um Details zu sehen |
| Material | Anmelden um Details zu sehen |
| Gewicht | Anmelden um Details zu sehen |
| Durchmesser | Anmelden um Details zu sehen |
| Dicke | Anmelden um Details zu sehen |
| Form | Anmelden um Details zu sehen |
| Prägetechnik | Anmelden um Details zu sehen |
| Ausrichtung | Anmelden um Details zu sehen |
| Stempelschneider | Anmelden um Details zu sehen |
| Im Umlauf bis | Anmelden um Details zu sehen |
| Referenz(en) | Calicó Hisp#cf. 2587 |
| Aversbeschreibung | Crude laureate bust of a male figure facing right, imitating the effigy of Septimius Severus, rendered in a barbarous style characteristic of Germanic tribal goldwork. The portrait features a stylized, roughly executed face with exaggerated features, surrounded by a schematic laureate wreath. A partial, garbled legend appears before the bust, reflecting an illiterate or phonetic imitation of Roman imperial titulature. The overall execution is consistent with a cast barbarous imitation produced beyond the Roman frontier. |
|---|---|
| Aversschrift | Anmelden um Details zu sehen |
| Averslegende | Anmelden um Details zu sehen |
| Reversbeschreibung | Anmelden um Details zu sehen |
| Reversschrift | Latin |
| Reverslegende | Anmelden um Details zu sehen |
| Rand | Anmelden um Details zu sehen |
| Prägestätte | Anmelden um Details zu sehen |
| Auflage | Anmelden um Details zu sehen |
| Zusätzliche Informationen |
Germanic imitations of Roman aurei appear throughout the archaeological record of the 3rd and 4th centuries, produced by tribal workshops that lacked access to official coinage but clearly understood gold's transactional weight. These pieces were not counterfeits in any meaningful sense — they circulated among populations outside Roman fiscal administration, valued by bullion rather than imperial authority.
The choice of Severan prototypes is telling. Septimius Severus and Julia Domna remained the most widely copied imperial types among Germanic imitators long after both were dead, suggesting these specific dies — or worn coins bearing these faces — were simply the most available Roman gold in certain regions during the mid-3rd century.