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1 Baht / 1 Tical The Chartered Bank of India, Australia and China
| Uitgever | The Chartered Bank of India, Australia and China |
|---|---|
| Jaar | 1898 |
| Type | Standard circulation banknote |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Printed entirely in green, the reverse displays a dense guilloche pattern covering the full surface. A large central lozenge-shaped vignette bears the bank's full name "THE CHARTERED BANK OF INDIA, AUSTRALIA AND CHINA" with "ONE TICAL" repeated within an inner oval guilloche. The denomination "ONE TICAL" is repeated in bold letters in each of the four corners and along both horizontal margins, with small circular medallions at the cardinal points of the central vignette. |
| Opschrift keerzijde | 1 1 ONE TICAL ONE TICAL THE CHARTERED BANK OF ONE TICAL INDIA, AUSTRALIA AND CHINA ONE TICAL ONE TICAL 1 1 |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
The Chartered Bank of India, Australia and China maintained a long commercial presence in Bangkok, and its Thai-currency notes occupied an unusual legal position — private banknotes issued by a British imperial bank circulating in a sovereign kingdom that had not yet established its own central bank. The Siamese government tolerated, and in practice depended on, foreign bank issue well into the early twentieth century.
W.A. Sprague & Co. produced relatively little surviving material compared to contemporaries like Waterlow or Bradbury Wilkinson, which makes their Bangkok-series output of the 1890s among the more infrequently encountered examples of their commercial engraving work.