カタログ
| 発行体 | Šibenik, City of |
|---|---|
| 年号 | 1485-1498 |
| 種類 | Standard circulation coin |
| 額面 | 1 Bagattino |
| 通貨 | |
| 材質 | Copper |
| 重量 | 1.07 g |
| 直径 | 18 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Hammered |
| 向き | |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | Dobrinic#1.1.2.3 |
| 表面の説明 | Saint Michael facing forward while standing on dragon, all surrounded by legend. |
|---|---|
| 表面の文字体系 | Latin |
| 表面の銘文 | S · MICAEL - SIBENIC |
| 裏面の説明 | Lion of Saint Mark facing left and surrounded by legend. |
| 裏面の文字体系 | Latin |
| 裏面の銘文 | SANCTVS · MARCVS · VENETI · |
| 縁 | Smooth. |
| 鋳造所 | |
| 鋳造数 |
ND (1485-1498) - - |
| Numisquare ID | 5777954170 |
| 追加情報 |
Historical Context: This 1 Bagattino coin, issued by the City of Šibenik between 1485 and 1498, reflects the city's status as a significant Venetian possession in Dalmatia. Under the suzerainty of the Venetian Republic and Doge Agostino Barbarigo, Šibenik maintained municipal autonomy, including the right to mint coinage. The Bagattino, a common Venetian copper denomination, served as essential small change, facilitating daily commerce within Šibenik's bustling port and surrounding territories, crucial for an era of Venetian maritime dominance.
Artistry: The design of this copper Bagattino adheres to Late Gothic stylistic traditions prevalent in Venetian-influenced mints. While the specific engraver remains anonymous, the artistry prioritized legibility and iconographic recognition over intricate detail, given the coin's small size and base metal. Common motifs for Šibenik issues often include the Venetian Lion of St. Mark, a cross, or a local patron saint, alongside the city's name, reflecting both Venetian authority and local identity. The overall aesthetic was functional, designed for rapid production and widespread use.
Technical/Grading: As a small copper issue, the 1 Bagattino typically exhibits characteristics common to utility coinage of the late 15th century. Strike quality often varies, with examples frequently showing off-center strikes, weak areas, and planchet irregularities. High-points susceptible to wear and strike weakness would typically include central design elements such as a lion's mane, the details of a cross, or the lettering. Due to its intended high circulation, finding specimens with full details and sharp legends is uncommon, making well-preserved examples particularly desirable.