1 Aureus - Imitating Marcus Aurelius, 161-180, and Commodus, 177-192

Emissor Uncertain Germanic tribes
Ano 250-325
Tipo Non-circulating coin
Valor 1 Aureus
Moeda Aureus (circa 150-325)
Composição Gold
Peso 5.89 g
Diâmetro 20 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) BMC Vandal#
Descrição do anverso Conjoined cuirassed and laureate busts facing left and surrounded by legend.
Escrita do anverso Latin
Legenda do anverso IMP M ANTONIN
Descrição do reverso Winged Victory facing left while holding torch with both hands, all surrounded by legend.
Escrita do reverso Latin
Legenda do reverso NICIA III[...]CTORI
Bordo Smooth.
Casa da moeda
Tiragem ND (250-325) - -
ID Numisquare 2258025830
Informações adicionais

Historical Context: This aureus, issued by uncertain Germanic tribes between 250 and 325 CE, reflects the tumultuous late Roman Empire. Imitating Marcus Aurelius (161-180) and Commodus (177-192), its production during the Crisis of the Third Century underscores the enduring prestige of earlier, stable Roman gold coinage. Such imitations served vital roles in the Germanic economy, facilitating trade or payments, often due to sporadic supply of official Roman currency and the growing power of barbarian federations.

Artistry: Anonymous Germanic engravers operated outside established Roman mints, creating a distinctive "barbaric" or "pseudo-imperial" stylistic school. While replicating iconic imperial portraits, the design departs from classical Roman realism. Features are often simplified, abstracted, or rendered with a more linear, less naturalistic quality. The original prototypes are recognizable, yet filtered through a provincial aesthetic, reflecting both technical limitations and evolving artistic sensibilities of the Germanic craftsmen.

Technical/Grading: Weighing 5.89 grams and measuring 20 millimeters, this aureus adheres closely to official Roman weight and diameter standards, underscoring an intent for monetary legitimacy. However, technical strike qualities are typically less refined. High-points like imperial hair, ear, and drapery folds often show softer strikes due to cruder dies and methods. The flan itself may exhibit irregularities, and off-center strikes are common, reflecting the non-official production environment of these fascinating barbarian imitations.

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