Catálogo
| Emissor | Saruhan, Beylik of |
|---|---|
| Ano | 1374 |
| Tipo | Standard circulation coin |
| Valor | 1 Akçe |
| Moeda | Akçe (1350-1598) |
| Composição | Silver |
| Peso | 1.4 g |
| Diâmetro | 15 mm |
| Espessura | |
| Formato | Round (irregular) |
| Técnica | Hammered |
| Orientação | Variable alignment ↺ |
| Gravador(es) | |
| Em circulação até | |
| Referência(s) | Album Islamic#1248 |
| Descrição do anverso | Tuğra of the ruler`s name |
|---|---|
| Escrita do anverso | Arabic |
| Legenda do anverso |
اسحاق (Translation: Ishak) |
| Descrição do reverso | Text with geometric pattern above name of God |
| Escrita do reverso | Arabic |
| Legenda do reverso |
الله خلفته ٧٧٦ (Translation: May God [preserve] his caliphate, 776) |
| Bordo | |
| Casa da moeda | |
| Tiragem |
776 (1374) - - |
| ID Numisquare | 1687227180 |
| Informações adicionais |
Historical Context: This 1 Akce silver coin was issued in 1374 by Ishak bin Ilyas, a prominent Bey of the Saruhan Beylik. Located in western Anatolia, Saruhan was one of several Turkish principalities that emerged following the Ilkhanate's decline and prior to Ottoman consolidation. Issuing coinage was a potent declaration of sovereignty and economic independence during a fragmented political landscape. This Akce represents a tangible artifact from a crucial transitional period in Anatolian history.
Artistry: The engraver of this coin remains anonymous, common for Beylik coinage. The artistic style adheres to the prevalent early Ottoman/Beylik numismatic tradition, emphasizing clear calligraphic inscriptions in Arabic script. The design, constrained by the coin's diminutive 15mm diameter, typically features the ruler's name and patronymic on the obverse, often with simple borders. The reverse usually bears religious phrases or the mint and date, all rendered with functional elegance focused on legibility over elaborate ornamentation.
Technical/Grading: Struck on a small, thin silver flan weighing 1.4 grams, this Akce often exhibits characteristics typical of its period. High-points for wear are primarily found on the raised elements of the Arabic calligraphy, particularly the central names and outer legends. Technical strike quality varies; off-center strikes are common, leading to portions of the legend being off-flan. Weak strikes can also result in incomplete details, especially on thinner script strokes or coin edges, impacting overall sharpness and grade.