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| 正面描述 | 登录 以查看详情 |
|---|---|
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | Full-length frontal figure of Christ standing, nimbed and robed, rendered in a hieratic Byzantine-influenced style within a beaded elliptical mandorla surrounded by a ring of six-pointed stars. The field between the mandorla and the outer border is populated with additional decorative stars. The split Latin legend, drawn from the Gospel of John, is divided across the left and right sides of the field outside the mandorla, reading EGO SVM LVX MVN (Ego sum lux mundi — I am the light of the world). The overall design closely follows the standard Venetian Zecchino reverse type established centuries earlier. |
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| 背面铭文 | ·EGO·SVM· ·LVX·MVN· |
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| 铸币厂 | 登录 以查看详情 |
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| 附加信息 |
Alvise Mocenigo IV served as Doge from 1763 until his death in 1778, a tenure that coincided with Venice's increasingly desperate efforts to maintain neutrality as the great powers carved up influence across the Italian peninsula. The fractional zecchino was never a prestige issue — it existed purely to facilitate small commercial transactions in a monetary system where the full zecchino had become too valuable for everyday trade.
The Venetian mint, the Zecca, maintained extraordinarily high gold fineness standards for its zecchino series, a reputation built over centuries of Mediterranean commerce. By Mocenigo's reign, that reputation was largely nostalgic; Venice's trading empire had collapsed, but the mint held the standard anyway.