カタログ
| 発行体 | Myanmar |
|---|---|
| 年号 | 1143 (1782) |
| 種類 | Standard circulation coin |
| 額面 | ¼ Pe (1⁄80) |
| 通貨 | First kyat (1852-1889) |
| 材質 | Copper |
| 重量 | 10.23 g |
| 直径 | 27 mm |
| 厚さ | |
| 形状 | Round (irregular) |
| 製造技法 | Milled |
| 向き | Medal alignment ↑↑ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 | KM#3.2 |
| 表面の説明 | Four line Burmese legend. |
|---|---|
| 表面の文字体系 | Burmese |
| 表面の銘文 | |
| 裏面の説明 | Two Fishes in upper center. |
| 裏面の文字体系 | |
| 裏面の銘文 | |
| 縁 | Plain |
| 鋳造所 | Kolkata / Calcutta / Murshidabad, India (1757-date) |
| 鋳造数 | 1143 (1782) |
| Numisquare ID | 6327768687 |
| 追加情報 |
Historical Context: This copper ¼ Pe (Pice) coin, dated 1143 ME (1782 CE), marks the accession year of King Bodawpaya, a pivotal ruler of the Konbaung Dynasty in Myanmar. His reign (1782-1819) ushered in an era of significant administrative centralization, military expansion, and religious reform. This issue, identified as a "small planchet" variant, represents the initial stages of his coinage reforms, signifying the establishment of his authority and the standardization of currency following a period of internal strife. It is a tangible artifact from the dawn of a powerful and transformative reign.
Artistry: The artistic execution of this ¼ Pe Pice adheres to the established Konbaung stylistic school, characterized by its indigenous Burmese iconography. While the specific engraver remains anonymous, typical for the period, the design generally features a prominent central motif—often a mythical creature like the Chinthe (lion) or Karaweik (peacock)—flanked by or encircled with Burmese script denoting the regnal year and denomination. The "small planchet" designation implies a more compact or perhaps simplified rendition of these traditional elements, reflecting the practicalities of early production under a new monarch.
Technical/Grading: Struck in copper with a weight of 10.23 grams and a diameter of 27 mm, this coin exhibits typical characteristics of 18th-century Burmese minting. High-points susceptible to wear include the raised features of the central animal motif, such as the mane or tail feathers, and the outermost curves of the Burmese script. Technical strike quality can vary, with examples ranging from well-centered and sharply defined to off-center with areas of weakness, particularly on the legends. Planchet quality is also variable, often displaying minor irregularities or laminations inherent to the copper production methods of the era.