Catalogus
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| Uitgever | Archbishopric of Salzburg |
|---|---|
| Jaar | 1624-1627 |
| Type | Log in om details te zien |
| Waarde | 1/2 Thaler - 1/2 Guldiner |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | Log in om details te zien |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | PARIS · D : G : ARCHI EPS · SAL : SE : AP : LE SVB · TVVM · PRÆ SIDIVM · CON FVG . |
| Beschrijving keerzijde | Log in om details te zien |
| Schrift keerzijde | Log in om details te zien |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Salzburg Mint |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Paris von Lodron became Archbishop of Salzburg in 1619 and spent the following decades in a careful balancing act, keeping the Principality-Archbishopric largely insulated from the worst violence of the Thirty Years' War through a combination of neutrality and diplomatic maneuvering. These half thalers were struck during that policy's early years, when Salzburg's mint was operating with unusual stability while much of the Holy Roman Empire was in fiscal chaos. The Madonna type was a deliberate confessional statement — Counter-Reformation iconography pressed into silver at a moment when Catholic territorial identity carried real political weight.
Zöttl distinguishes four die varieties across the 1519–1522 sequence, with subtle differences in the arrangement of the archiepiscopal arms.