| 发行方 | Bhopal, Princely state of |
|---|---|
| 年份 | 1876-1892 |
| 类型 | Standard circulation coin |
| 面值 | 1/2 Rupee |
| 货币 | Rupee (1723-1947) |
| 材质 | Silver |
| 重量 | 5.46 g |
| 直径 | 16 mm |
| 厚度 | |
| 形状 | Round |
| 制作工艺 | |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | Y#13 |
| 正面描述 | Value and date |
|---|---|
| 正面文字 | |
| 正面铭文 |
(Translation: AH 1303) |
| 背面描述 | |
| 背面文字 | |
| 背面铭文 |
(Translation: Zarb above Bhopal) |
| 边缘 | Plain |
| 铸币厂 | |
| 铸造量 |
1293 (1876) - - 1294 (1877) - - 1295 (1878) - - 1296 (1879) - - 1297 (1880) - - 1298 (1881) - - 1299 (1882) - - 1300 (1883) - - 1301 (1884) - - 1302 (1885) - - 1303 (1886) - - 1304 (1887) - - 1305 (1888) - - 1306 (1889) - - 1307 (1890) - - 1308 (1891) - - 1309 (1892) - - |
| Numisquare 编号 | 1505516210 |
| 附加信息 |
Historical Context: This 1/2 Rupee coin was issued by the Princely State of Bhopal under Shah Jahana Begum (reigned 1868-1901), an influential Begum of Bhopal. Struck between 1876 and 1892, this period represents a significant era of modernization and stable governance. Her reign was marked by progressive reforms and adept diplomacy with the British Raj. Her coinage symbolizes Bhopal's sovereignty and her personal authority during a complex period of Indian history.
Artistry: The design of this silver 1/2 Rupee adheres to traditional numismatic aesthetics of Indian Princely States. While specific engravers are unrecorded, the coin reflects local mint masters' skill. The primary artistic focus lies in the elegant Persian (Urdu) calligraphy, forming central design elements, typically presenting the ruler's name, titles, and the Hijri date. Stylistically, it belongs to the late Mughal-influenced school, prioritizing legibility and classic presentation within its modest 16mm diameter.
Technical/Grading: Weighing 5.46 grams of silver, this 1/2 Rupee typically exhibits characteristics of hand-struck coinage. High points for wear are generally on the most raised portions of the intricate calligraphic script, particularly upper strokes and flourishes. Strike quality can vary, with some examples showing minor weakness, especially towards the flan edges, or slight off-centering due to the manual striking process. Well-preserved specimens display sharp, complete legends and minimal planchet irregularities.