1/2 Rupee - Shah Jahana Begum

Emitent Bhopal, Princely state of
Rok 1876-1892
Typ Standard circulation coin
Nominał 1/2 Rupee
Waluta Rupee (1723-1947)
Skład Silver
Waga 5.46 g
Średnica 16 mm
Grubość
Kształt Round
Technika
Orientacja
Rytownik(zy)
W obiegu do
Źródło(a) Y#13
Opis awersu Value and date
Pismo awersu
Legenda awersu
(Translation: AH 1303)
Opis rewersu
Pismo rewersu
Legenda rewersu
(Translation: Zarb above Bhopal)
Krawędź Plain
Mennica
Nakład 1293 (1876) - -
1294 (1877) - -
1295 (1878) - -
1296 (1879) - -
1297 (1880) - -
1298 (1881) - -
1299 (1882) - -
1300 (1883) - -
1301 (1884) - -
1302 (1885) - -
1303 (1886) - -
1304 (1887) - -
1305 (1888) - -
1306 (1889) - -
1307 (1890) - -
1308 (1891) - -
1309 (1892) - -
ID Numisquare 1505516210
Dodatkowe informacje

Historical Context: This 1/2 Rupee coin was issued by the Princely State of Bhopal under Shah Jahana Begum (reigned 1868-1901), an influential Begum of Bhopal. Struck between 1876 and 1892, this period represents a significant era of modernization and stable governance. Her reign was marked by progressive reforms and adept diplomacy with the British Raj. Her coinage symbolizes Bhopal's sovereignty and her personal authority during a complex period of Indian history.

Artistry: The design of this silver 1/2 Rupee adheres to traditional numismatic aesthetics of Indian Princely States. While specific engravers are unrecorded, the coin reflects local mint masters' skill. The primary artistic focus lies in the elegant Persian (Urdu) calligraphy, forming central design elements, typically presenting the ruler's name, titles, and the Hijri date. Stylistically, it belongs to the late Mughal-influenced school, prioritizing legibility and classic presentation within its modest 16mm diameter.

Technical/Grading: Weighing 5.46 grams of silver, this 1/2 Rupee typically exhibits characteristics of hand-struck coinage. High points for wear are generally on the most raised portions of the intricate calligraphic script, particularly upper strokes and flourishes. Strike quality can vary, with some examples showing minor weakness, especially towards the flan edges, or slight off-centering due to the manual striking process. Well-preserved specimens display sharp, complete legends and minimal planchet irregularities.

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