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| Эмитент | New Zealand |
|---|---|
| Год | |
| Тип | Emergency coin |
| Номинал | 1/2 Penny (1⁄480) |
| Валюта | Trade tokens (1857-1881) |
| Состав | Copper |
| Вес | |
| Диаметр | 28 mm |
| Толщина | |
| Форма | Round |
| Техника | Milled |
| Ориентация | |
| Гравёр(ы) | |
| В обращении до | |
| Каталожные номера | Andrews#450 to 452, R#442 to 444, Gray#235, 235a,b |
| Описание аверса | 12-line inscription. |
|---|---|
| Письменность аверса | Latin |
| Надписи аверса | EDWARD REECE WHOLESALE AND RETAIL BUILDERS AND FURNISHING IRONMONGER BIRMINGHAM AND SHEFFIELD WAREHOUSE CHRISTCHURCH CANTERBURY N.Z. |
| Описание реверса | Man sitting beside sheaf of wheat |
| Письменность реверса | Latin |
| Надписи реверса | ADVANCE CANERBURY NEW ZEALAND |
| Гурт | Smooth |
| Монетный двор | |
| Тираж |
ND - A450/R442 - ND - A451/R444 - ND - A452/R443 - |
| ID Numisquare | 2480002190 |
| Дополнительная информация |
Historical Context: This 1/2 Penny token, issued by Edward Reece of Christchurch, New Zealand, filled a critical currency void in the mid-to-late 19th century. Colonial New Zealand, under Queen Victoria, suffered a chronic shortage of official British coinage, especially small denominations. Merchants like Reece, a prominent ironmonger, issued these tokens to facilitate commerce. They became the de facto circulating currency, indispensable to the nascent colonial economy and reflecting the era's entrepreneurial spirit.
Artistry: While engravers for Edward Reece varieties are often unconfirmed, many New Zealand tokens were produced by esteemed mints like W.J. Taylor of London or Thomas Stokes of Melbourne. The stylistic school leans towards commercial utilitarianism, often incorporating classical allegorical figures or heraldic motifs. The obverse typically features the issuer's name and business, "EDWARD REECE IRONMONGER CHRISTCHURCH." The reverse commonly displays "HALF PENNY" within a wreath or alongside Justice or Britannia, symbolizing integrity.
Technical/Grading: Struck in copper, this 28mm token exhibits characteristics typical of colonial issues. Key high-points for assessing wear and strike quality include any allegorical figure’s hair, facial features, and drapery folds. For wreath designs, individual leaves and berries are crucial. Strong strikes show full definition in lettering and crispness in central motifs. Variations in planchet quality and die wear are common; a well-centered strike with minimal flaws and full rim details is highly desirable, indicating an early die state.