See full images - free registration
Continue with Google - no registration! or register with email

Why register? Just to keep bots out of our catalog. Your email stays private - we will never share it or send you anything uninvited. We guarantee you that!

1/2 Karshapana - Rano Siri Satakarni

Issuer City of Nasik (Satavahana Empire)
Year 200 BC - 1 BC
Type Standard circulation coin
Value Log in to see details
Currency Log in to see details
Composition Log in to see details
Weight Log in to see details
Diameter Log in to see details
Thickness Log in to see details
Shape Log in to see details
Technique Log in to see details
Orientation Log in to see details
Engraver(s) Log in to see details
In circulation to Log in to see details
Reference(s) Log in to see details
Obverse description Stylized elephant depicted in left profile with left forefoot raised and trunk curled upward, rendered in a bold, archaic punch-struck style characteristic of early Satavahana coinage. The figure is surrounded by a Brahmi legend disposed around the periphery of the flan, identifying the issuing ruler. The design occupies most of the irregular flan, with the elephant's musculature rendered in a simplified yet recognizable manner.
Obverse script Brahmi
Obverse lettering Log in to see details
Reverse description Log in to see details
Reverse script Log in to see details
Reverse lettering Log in to see details
Edge Log in to see details
Mint Log in to see details
Mintage Log in to see details
Additional information

The Satavahana dynasty's use of city-specific issuing authorities — rather than centralised imperial mints — produced a patchwork of regional coinage that modern scholars still struggle to sequence with confidence. Nasik, controlling the Deccan trade routes through the Western Ghats, was commercially significant enough to warrant its own issues. Rano Siri Satakarni is tentatively identified among the early Satavahana rulers, though the dynasty's king-list remains contested, with several rulers sharing near-identical names across different regnal sequences.

The punch-marked and cast traditions overlapped awkwardly during this period in the Deccan.

YOU MAY ALSO LIKE