カタログ
全画像を表示 — 無料登録
Googleで続ける — 無料
またはメールで登録
登録が必要な理由は？ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します！
| 表面の説明 | Bare-headed effigy of King Willem I facing right, with curly hair rendered in fine detail. The portrait is executed in high relief in a classical neoclassical style. The encircling legend reads WILLEM KONING DER NED. G.H.V.L., separated at the base of the bust. The field is smooth and deeply struck, with a beaded border surrounding the entire design. |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Central denomination inscription HALVE GULDEN displayed in two lines within an ornate wreath of laurel branches tied at the base with a ribbon bow. The legend NEDERLANDSCH INDIE arcs around the upper periphery, and the date 1834 appears in the exergue below the wreath. The design is enclosed by a beaded border, and the overall composition is boldly struck in high relief. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
These pieces exist because Willem I was actively pushing for a unified colonial currency system in the late 1820s, and pattern coinage was ordered to test potential designs before any circulating issue was committed to production. Neither KM#Pn1 nor KM#Pn2 ever advanced beyond pattern status — the half gulden denomination in gold was ultimately abandoned for the Indies, leaving these as dead-end proposals from a reform that only partially succeeded.
Delmonte's listing under G#1195 confirms the gold composition as intentional to the pattern specification, not a mule or error. Surviving examples are exceptionally few.