目录
查看完整图片 — 免费注册
使用Google继续 — 免费
或用邮箱注册
为什么需要注册？只是为了防止机器人访问我们的目录。您的邮箱完全保密——我们绝不会分享或在未经您许可的情况下发送任何内容。我们向您保证！
| 正面描述 | Draped and cuirassed bust of Louis XIV facing right, wearing a laurel wreath and flowing wig, with armored pauldron and lace cravat visible at the truncation. The effigy is rendered in high relief in the mature late-baroque portrait style typical of the reign. A circular beaded inner border frames the design, with the Latin royal legend distributed around the periphery. The portrait occupies the majority of the field, leaving only a narrow margin between the bust truncation and the lower border. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | Latin |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
The "écu aux insignes" series was introduced by Louis XIV in 1701–1702 as part of a broader monetary reform aimed at restoring confidence in French silver coinage following decades of debasement and the financial strain of the Nine Years' War. The Dauphiné mint at Grenoble — identified by its Z mintmark — had a long history of producing regional coinage tied to the ancient province, and this half-écu belongs to a single short-lived type that was superseded within a few years by yet another monetary reorganization.
The "insignes" designation refers to the distinctive reverse arrangement rather than the crowned-L monogram type it replaced in 1701. Production across all mints was uneven; Grenoble's output for this type was modest relative to Paris.