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1/2 Ecu of Dauphiné with insignia - Louis XIV

Uitgever France
Jaar 1702
Type Log in om details te zien
Waarde Log in om details te zien
Valuta Log in om details te zien
Samenstelling Log in om details te zien
Gewicht 13.54 g
Diameter Log in om details te zien
Dikte Log in om details te zien
Vorm Log in om details te zien
Techniek Log in om details te zien
Oriëntatie Log in om details te zien
Graveur(s) Log in om details te zien
In omloop tot Log in om details te zien
Referentie(s) Log in om details te zien
Beschrijving voorzijde Draped and cuirassed bust of Louis XIV facing right, wearing a laurel wreath and flowing wig, with armored pauldron and lace cravat visible at the truncation. The effigy is rendered in high relief in the mature late-baroque portrait style typical of the reign. A circular beaded inner border frames the design, with the Latin royal legend distributed around the periphery. The portrait occupies the majority of the field, leaving only a narrow margin between the bust truncation and the lower border.
Schrift voorzijde Log in om details te zien
Opschrift voorzijde Log in om details te zien
Beschrijving keerzijde Log in om details te zien
Schrift keerzijde Latin
Opschrift keerzijde Log in om details te zien
Rand Log in om details te zien
Muntplaats Log in om details te zien
Oplage Log in om details te zien
Aanvullende informatie

The "écu aux insignes" series was introduced by Louis XIV in 1701–1702 as part of a broader monetary reform aimed at restoring confidence in French silver coinage following decades of debasement and the financial strain of the Nine Years' War. The Dauphiné mint at Grenoble — identified by its Z mintmark — had a long history of producing regional coinage tied to the ancient province, and this half-écu belongs to a single short-lived type that was superseded within a few years by yet another monetary reorganization.

The "insignes" designation refers to the distinctive reverse arrangement rather than the crowned-L monogram type it replaced in 1701. Production across all mints was uneven; Grenoble's output for this type was modest relative to Paris.

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