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| 表面の説明 | ログイン して詳細を見る |
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| 裏面の説明 | Bust of Saint Maurice facing right, depicted with a nimbus, clad in a visored helmet and full plate armour bearing a prominent cross on the breastplate. The saint holds an upright sword in his raised right hand, rendered in the devotional heraldic style typical of early seventeenth-century Swiss municipal coinage. A stop-separated legend encircles the design, identifying the figure as the patron saint of Lucerne. |
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| 縁 | Plain |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The early 1620s were catastrophic for Swiss monetary stability. The Kipper und Wipperzeit — the great debasement crisis that swept the Holy Roman Empire and its neighbors — flooded markets with underweight, clipped, and alloyed small silver coinage, collapsing public confidence in circulating money. Lucerne's response was conservative and deliberate: restrike fractional silver types in gold as pattern-grade pieces, likely for presentation to civic officials or allied cantons rather than any circulation purpose.
The ducat-weight gold strike of the half Dicken sits at the intersection of monetary politics and civic pride during one of the worst currency crises early modern Europe had yet seen.