Catalogus
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| Uitgever | Hell Bank Corporation |
|---|---|
| Jaar | |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Paper |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Log in om details te zien |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | 冥通銀行 壹佰萬 杰奎·肯尼迪 Jackie Kennedy |
| Beschrijving keerzijde | Left half carries a large lobed guilloche rosette with the numeral denomination 1000000 at its centre. To the right, a multi-tiered Chinese palatial pavilion with sweeping tiled roofs and an arcaded lower storey is rendered in fine line engraving. The whole composition is printed in dark blue on a cream ground and enclosed within an ornamental scalloped and guilloche border, with denomination counters in each corner. |
| Opschrift keerzijde | Log in om details te zien |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
Hell Bank notes — also called "ghost money" or joss paper — are ceremonial items burned as offerings during Chinese funerary rites and festivals such as the Qingming and Hungry Ghost festivals, intended to provide the deceased with wealth in the afterlife. The Hell Bank Corporation branding, with its tongue-in-cheek quasi-official styling, became widespread in Hong Kong manufacturing from the mid-20th century onward. These are not currency in any monetary sense and were never intended for circulation.
Jackie Kennedy's appearance on a note of this type is unusual. The tradition overwhelmingly favors deified figures, ancestors, or the Jade Emperor — not Western political celebrities. Her inclusion reflects the globalized novelty market that absorbed the format from the 1980s onward, producing items aimed at collectors rather than mourners.