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| Uitgever | Stadt Solingen (City of Solingen, Prussian Rhine Province) |
|---|---|
| Jaar | 1923 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Afmetingen | Log in om details te zien |
| Vorm | Log in om details te zien |
| Drukker | Kunstanstalt Hermann Rabitz, Solingen, Germany |
| Ontwerper(s) | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Printed in violet on a guilloche underprint composed of interlocking diamond frames with rosette corners. The year digits 1-9-2-3 occupy the four outer corners, while STADT SOLINGEN and MILLIARDE are inscribed centrally above and below a small vignette of crossed blades — a reference to Solingen's renowned cutlery industry. The anti-counterfeiting warning NACHAHMUNG STRAFBAR! appears at the foot. |
| Opschrift keerzijde | Stadt Solingen 1 Milliarde 1923 Nachahmung strafbar ! (Translation: City of Solingen 1 Billion 1923 Imitation punishable!) |
| Handtekening(en) | Log in om details te zien |
| Beveiligingstype | Log in om details te zien |
| Beschrijving beveiliging | Log in om details te zien |
| Varianten | Log in om details te zien |
| Opmerkingen |
By August 1923, the German hyperinflation had so thoroughly destroyed purchasing power that municipal governments were printing their own emergency currency — Notgeld — simply to make payroll. Solingen, then as now a center of the German cutlery and blade industry, issued this one-billion Mark note through a local commercial printer rather than any financial institution. The Reichsbank had effectively lost control of the money supply months earlier.
Kunstanstalt Hermann Rabitz was a Solingen-based printing and graphics firm, not a security printer. That a city turned to a commercial art house for billion-mark denominations captures the administrative desperation of that autumn more precisely than any inflation statistic.