| توضیحات روی اسکناس |
Central vignette presents a close detail of the Christ the Redeemer statue in Rio de Janeiro, rendered against a plain background. The face value "0" appears at upper right and in both left corners, with the denomination spelled out in letters at lower left; the country name "REPÚBLICA FEDERATIVA DO BRASIL" is inscribed at upper left, followed by the issuing date below. Bilingual identification of the monument appears in Portuguese and English across the lower portion of the note. |
| نوشتههای روی اسکناس |
وارد شوید برای مشاهده جزئیات |
| توضیحات پشت اسکناس |
The reverse carries a composite vignette incorporating the Christ the Redeemer statue in Rio de Janeiro, the National Congress Palace in Brasília, and the Botanical Garden of Curitiba arranged on the left, while stylised representations of a tree and allegorical heads of indigenous, African, and European figures occupy the right. The country name appears at upper left; a six-digit serial number with a two-letter prefix is present, with the face value "0" at both upper corners and the denomination in letters at lower right. A signature with title is placed along the left edge, with the printer's logo at the right edge. |
| نوشتههای پشت اسکناس |
وارد شوید برای مشاهده جزئیات |
| امضا(ها) |
وارد شوید برای مشاهده جزئیات |
| نوع ویژگی امنیتی |
وارد شوید برای مشاهده جزئیات |
| توضیحات ویژگی امنیتی |
وارد شوید برای مشاهده جزئیات |
| گونهها |
وارد شوید برای مشاهده جزئیات |
Brazil's Banco Central has issued commemorative zero-denomination notes before — the 0 Real Pix in 2022 being the most recent precedent — so this piece follows an established institutional format rather than being a novelty outlier. Zero-denomination notes carry no legal tender status; they function as collector instruments and public education pieces, issued free of charge or through official channels at face value of nothing.
2025 marks the centenary of the laying of the cornerstone of the Cristo Redentor statue on Corcovado, construction having begun in 1922 and completed in 1931. The centennial hook is the editorial reason this note exists at all.