Æ

Đơn vị phát hành Tyndaris (Sicily)
Năm 254 BC - 210 BC
Loại Standard circulation coin
Mệnh giá
Tiền tệ Litra
Chất liệu Bronze
Trọng lượng 4.22 g
Đường kính 16 mm
Độ dày
Hình dạng Round (irregular)
Kỹ thuật Hammered
Hướng Variable alignment ↺
Nghệ nhân khắc
Lưu hành đến
Tài liệu tham khảo CNS#13 , SNG Copenhagen#952 , BMC Greek#15 , Campana#20 , HGC 2#1644
Mô tả mặt trước Helmeted and draped bust of Athena right.
Chữ viết mặt trước
Chữ khắc mặt trước
Mô tả mặt sau Hermes standing left, holding kerykeion.
Chữ viết mặt sau Greek
Chữ khắc mặt sau TYNΔAPITAN
Cạnh
Xưởng đúc
Số lượng đúc ND (254 BC - 210 BC) - -
ID Numisquare 8608001240
Thông tin bổ sung

Historical Context: This Æ issue from Tyndaris, minted between 254 BC and 210 BC, situates itself within a critical period for Sicily, marked by the First and Second Punic Wars. Tyndaris, a strategically vital Greek city on Sicily's northern coast, had fallen to Rome in 254 BC. The continued minting of local bronze coinage during this era reflects a degree of civic autonomy under nascent Roman hegemony, even as the island transitioned from Hellenistic influence to becoming a Roman province. These coins would have circulated amidst the profound socio-economic shifts and military campaigns that defined Rome's consolidation of power in the Western Mediterranean.

Artistry: While the specific engraver remains anonymous, the coin exemplifies the competent Hellenistic Greek artistic traditions prevalent in Sicilian mints. Bronze issues of Tyndaris typically feature a well-executed deity head on the obverse, often Apollo or Zeus, characterized by classical proportions and a dignified expression. The reverse commonly displays a civic emblem or a mythological figure relevant to the city's foundation or cults, rendered with a directness and clarity typical of local workshops rather than grander imperial styles.

Technical/Grading: This 16 mm, 4.22 gram bronze coin often presents with variable strike quality, common for ancient Æ issues. Weakness or slight off-centring can occur, particularly affecting peripheral details or legends. High points, such as the hair, nose, and chin of an obverse portrait, or the raised elements of a reverse device, are susceptible to wear. The flan is generally solid, though minor surface irregularities or patination variations are frequently observed, impacting overall eye appeal and preservation.

×