Æ

Uitgever Tyndaris (Sicily)
Jaar 254 BC - 210 BC
Type Standard circulation coin
Waarde
Valuta Litra
Samenstelling Bronze
Gewicht 4.22 g
Diameter 16 mm
Dikte
Vorm Round (irregular)
Techniek Hammered
Oriëntatie Variable alignment ↺
Graveur(s)
In omloop tot
Referentie(s) CNS#13 , SNG Copenhagen#952 , BMC Greek#15 , Campana#20 , HGC 2#1644
Beschrijving voorzijde Helmeted and draped bust of Athena right.
Schrift voorzijde
Opschrift voorzijde
Beschrijving keerzijde Hermes standing left, holding kerykeion.
Schrift keerzijde Greek
Opschrift keerzijde TYNΔAPITAN
Rand
Muntplaats
Oplage ND (254 BC - 210 BC) - -
Numisquare-ID 8608001240
Aanvullende informatie

Historical Context: This Æ issue from Tyndaris, minted between 254 BC and 210 BC, situates itself within a critical period for Sicily, marked by the First and Second Punic Wars. Tyndaris, a strategically vital Greek city on Sicily's northern coast, had fallen to Rome in 254 BC. The continued minting of local bronze coinage during this era reflects a degree of civic autonomy under nascent Roman hegemony, even as the island transitioned from Hellenistic influence to becoming a Roman province. These coins would have circulated amidst the profound socio-economic shifts and military campaigns that defined Rome's consolidation of power in the Western Mediterranean.

Artistry: While the specific engraver remains anonymous, the coin exemplifies the competent Hellenistic Greek artistic traditions prevalent in Sicilian mints. Bronze issues of Tyndaris typically feature a well-executed deity head on the obverse, often Apollo or Zeus, characterized by classical proportions and a dignified expression. The reverse commonly displays a civic emblem or a mythological figure relevant to the city's foundation or cults, rendered with a directness and clarity typical of local workshops rather than grander imperial styles.

Technical/Grading: This 16 mm, 4.22 gram bronze coin often presents with variable strike quality, common for ancient Æ issues. Weakness or slight off-centring can occur, particularly affecting peripheral details or legends. High points, such as the hair, nose, and chin of an obverse portrait, or the raised elements of a reverse device, are susceptible to wear. The flan is generally solid, though minor surface irregularities or patination variations are frequently observed, impacting overall eye appeal and preservation.

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