Katalog
| Emitent | Perge (Pamphylia) |
|---|---|
| Rok | 50 BC - 30 BC |
| Typ | Standard circulation coin |
| Nominał | |
| Waluta | Drachm |
| Skład | Bronze |
| Waga | 4.08 g |
| Średnica | 18 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Variable alignment ↺ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | SNG France#373-378 |
| Opis awersu | Cult statue of Artemis Pergaia facing within distyle temple. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Bow and quiver. |
| Pismo rewersu | Greek |
| Legenda rewersu | ΑΡΤΕΜΙΔΟΣ ΠΕΡΓΑΙΑΣ |
| Krawędź | |
| Mennica | |
| Nakład |
ND (50 BC - 30 BC) - - |
| ID Numisquare | 7592431190 |
| Dodatkowe informacje |
Historical Context:The Æ coinage from Perge, Pamphylia (50-30 BC), places its issuance squarely within the tumultuous final decades of the Roman Republic. This era witnessed profound civil wars between Pompey, Caesar, Antony, and Octavian, deeply impacting Roman provinces like Pamphylia. Perge, a significant Hellenistic city, maintained its right to strike local bronze currency for daily commerce, reflecting civic autonomy while navigating the shifting allegiances of the nascent Roman Empire. These issues provided essential small change during immense transition.
Artistry:The artistic execution of this Æ coin typically adheres to the Hellenistic provincial style prevalent in Asia Minor, often with localized interpretation. While the engraver remains anonymous, craftsmanship was overseen by civic magistrates. Common obverse designs for Perge feature the veiled bust of Artemis Pergaia, the city's patron goddess, with her attributes. The reverse might depict her temple or other local symbols, rendered with provincial robustness rather than metropolitan classicism.
Technical/Grading:At 4.08 grams and 18 millimeters, this bronze issue exhibits typical specifications for provincial Æ coinage of the period. High-point wear commonly occurs on the highest relief areas, such as hair, cheekbone, or drapery folds of any depicted figure. Technical strike qualities frequently vary; off-center strikes, partial flan coverage, and uneven strike pressure are common due to the era's production methods, involving hand-prepared flans and manual striking. Surface pitting or minor casting flaws are also common.