Catalogue
| Émetteur | Perge (Pamphylia) |
|---|---|
| Année | 50 BC - 30 BC |
| Type | Standard circulation coin |
| Valeur | |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 4.08 g |
| Diamètre | 18 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | SNG France#373-378 |
| Description de l’avers | Cult statue of Artemis Pergaia facing within distyle temple. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Bow and quiver. |
| Écriture du revers | Greek |
| Légende du revers | ΑΡΤΕΜΙΔΟΣ ΠΕΡΓΑΙΑΣ |
| Tranche | |
| Atelier | |
| Tirage |
ND (50 BC - 30 BC) - - |
| ID Numisquare | 7592431190 |
| Informations supplémentaires |
Historical Context:The Æ coinage from Perge, Pamphylia (50-30 BC), places its issuance squarely within the tumultuous final decades of the Roman Republic. This era witnessed profound civil wars between Pompey, Caesar, Antony, and Octavian, deeply impacting Roman provinces like Pamphylia. Perge, a significant Hellenistic city, maintained its right to strike local bronze currency for daily commerce, reflecting civic autonomy while navigating the shifting allegiances of the nascent Roman Empire. These issues provided essential small change during immense transition.
Artistry:The artistic execution of this Æ coin typically adheres to the Hellenistic provincial style prevalent in Asia Minor, often with localized interpretation. While the engraver remains anonymous, craftsmanship was overseen by civic magistrates. Common obverse designs for Perge feature the veiled bust of Artemis Pergaia, the city's patron goddess, with her attributes. The reverse might depict her temple or other local symbols, rendered with provincial robustness rather than metropolitan classicism.
Technical/Grading:At 4.08 grams and 18 millimeters, this bronze issue exhibits typical specifications for provincial Æ coinage of the period. High-point wear commonly occurs on the highest relief areas, such as hair, cheekbone, or drapery folds of any depicted figure. Technical strike qualities frequently vary; off-center strikes, partial flan coverage, and uneven strike pressure are common due to the era's production methods, involving hand-prepared flans and manual striking. Surface pitting or minor casting flaws are also common.