Catalog
| Issuer | Uxentum |
|---|---|
| Year | 125 BC - 90 BC |
| Type | Standard circulation coin |
| Value | |
| Currency | Drachm |
| Composition | Bronze |
| Weight | 0.85 g |
| Diameter | 9 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | HN Italy#1101 1#1618 Gr/It#3 1#954 |
| Obverse description | Eagle left or right, wings open, on thunderbolt. |
|---|---|
| Obverse script | |
| Obverse lettering | |
| Reverse description | Amphora; below left and right, starts; AO. |
| Reverse script | Greek |
| Reverse lettering | A O |
| Edge | |
| Mint | |
| Mintage |
ND (125 BC - 90 BC) - - |
| Numisquare ID | 2941015150 |
| Additional information |
Historical Context: This Æ bronze coin was issued by Uxentum, an ancient Messapian city in Magna Graecia, during 125-90 BC. Situated in modern Salento, Uxentum, though under significant Roman influence, retained the right to strike local currency for daily commerce. This era, leading up to the Social War, saw Italian allies asserting their identities. Such small denominations were vital for local economies, reflecting Uxentum's enduring civic autonomy amidst the expanding Roman Republic.
Artistry: The engravers of these diminutive bronze issues remain anonymous, typical for local coinage of this period. Stylistically, the coin adheres to the Graeco-Italic tradition, often featuring local deities or civic symbols. Despite its small 9mm diameter, the design would have been rendered with a robust, if miniaturized, aesthetic. Common motifs for Uxentum include figures like Athena or Herakles, or local cultic emblems, executed with an emphasis on recognizability due to the limited flan size.
Technical/Grading: Measuring a mere 9mm and weighing 0.85 grams, this Æ coin reflects the practical needs of local exchange. Due to its small module and bronze composition, specimens frequently exhibit characteristic technical limitations. These include irregular flan shapes, off-center strikes, or incomplete impressions of the design, particularly on high-relief areas. Surface preservation is often affected by prolonged ancient circulation and patination, making examples with strong, well-centered strikes and minimal wear highly prized by collectors.