Katalog
| Emitent | Clannudda |
|---|---|
| Rok | 200 BC - 30 BC |
| Typ | Standard circulation coin |
| Nominał | |
| Waluta | Drachm |
| Skład | Bronze |
| Waga | 2.86 g |
| Średnica | 17.6 mm |
| Grubość | |
| Kształt | Round (irregular) |
| Technika | Hammered |
| Orientacja | Variable alignment ↺ |
| Rytownik(zy) | |
| W obiegu do | |
| Źródło(a) | SNG von Aulock#2996 |
| Opis awersu | Laureate head of Apollo right. |
|---|---|
| Pismo awersu | |
| Legenda awersu | |
| Opis rewersu | Cult statue of Artemis Anaitis facing with outstretched arms, all within wreath. |
| Pismo rewersu | Greek |
| Legenda rewersu | ΚΛΑΝΝΟΥΑ ΔEΩN |
| Krawędź | |
| Mennica | |
| Nakład |
ND (200 BC - 30 BC) - - |
| ID Numisquare | 2579720850 |
| Dodatkowe informacje |
Historical Context: This Æ issue, attributed to Clannudda and minted between 200 BC and 30 BC, illuminates local economic and political structures during the late Hellenistic period and Roman expansion. "Clannudda" likely denotes a local magistrate or civic entity, highlighting regional autonomy and the vital role of local currency for daily commerce. Such bronze issues, often from regions like Asia Minor (SNG von Aulock), were crucial for local economies, reflecting identity amidst broader geopolitical shifts.
Artistry: The anonymous engraver of this 17.6 mm bronze piece operated within the provincial Hellenistic stylistic tradition, merging classical Greek iconography with local interpretations. While specific designs are unstated, typical issues feature a prominent deity's head on the obverse—e.g., laureate Apollo or diademed Artemis—rendered with robust, often rustic charm. The reverse commonly displays a local symbol like a lyre or grain ear, reflecting civic cults or economic staples. Artistry, though less refined than major royal mints, strongly conveys local identity.
Technical/Grading: Weighing 2.86 grams, this small Æ coin often exhibits typical ancient bronze production characteristics. A premium example boasts a strong, centered strike, ensuring full detail on both the obverse portrait (e.g., hair, nose, chin) and the reverse motif (e.g., lyre strings). Flan irregularities are common. Grades are significantly affected by wear, with higher grades preserving original surface detail and less flattening of high points, which are typically the first areas to show circulation.