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| 正面描述 | Central field depicts a standing figure, likely a regal or saintly personage, rendered in a small but detailed relief consistent with the diminutive flan. The figure appears robed and frontal, occupying the majority of the coin's face. The design is characteristic of the high-fineness Savoyard gold coinage of Charles Emmanuel III, executed in the milled tradition of the Turin Mint. The lettering '1/6' appears as the primary inscription, denoting the denomination. |
|---|---|
| 正面文字 | 登录 以查看详情 |
| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | 登录 以查看详情 |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | ND (1730-1755) |
| 附加信息 |
Charles Emmanuel III spent much of his reign in active warfare — the War of Polish Succession, the War of Austrian Succession, and persistent border conflicts with France — and his fractional gold issues reflect a coinage system under constant fiscal strain. The zecchino fractions circulated primarily in commercial contexts where full sequins were too valuable for everyday exchange. At 0.584 g in near-pure gold, the sixth-zecchino sits at the practical lower limit of hand-struck gold coinage; planchet preparation at the Turin mint for these tiny flans was notoriously inconsistent, and centering problems are the rule rather than the exception.