Catalogus
Waarom registreren? Alleen om bots buiten ons catalogus te houden. Uw e-mail blijft privé — we delen het nooit en sturen u niets zonder uw toestemming. Dat garanderen wij u!
| Uitgever | Farankat, City of |
|---|---|
| Jaar | 601-801 |
| Type | Log in om details te zien |
| Waarde | Log in om details te zien |
| Valuta | Log in om details te zien |
| Samenstelling | Log in om details te zien |
| Gewicht | 1.59 g |
| Diameter | Log in om details te zien |
| Dikte | Log in om details te zien |
| Vorm | Log in om details te zien |
| Techniek | Log in om details te zien |
| Oriëntatie | Log in om details te zien |
| Graveur(s) | Log in om details te zien |
| In omloop tot | Log in om details te zien |
| Referentie(s) | Log in om details te zien |
| Beschrijving voorzijde | Log in om details te zien |
|---|---|
| Schrift voorzijde | Log in om details te zien |
| Opschrift voorzijde | Log in om details te zien |
| Beschrijving keerzijde | Central field occupied by the dynastic tamgha of Farankat, a distinctive geometric symbol composed of angular and rectangular elements rendered in bold relief, flanked by subsidiary decorative motifs. A Sogdian inscription encircles the central device, running along the periphery of the flan and identifying the coin by its issuing authority. The design is characteristic of Sogdian city-state coinage of the 7th–9th centuries CE. |
| Schrift keerzijde | Sogdian |
| Opschrift keerzijde | Log in om details te zien |
| Rand | Log in om details te zien |
| Muntplaats | Log in om details te zien |
| Oplage | Log in om details te zien |
| Aanvullende informatie |
Farankat was a minor urban center in the Sogdian cultural sphere of Transoxiana, and its autonomous bronze issues reflect the fragmented political reality of the region during the seventh and eighth centuries — a period when Arab conquest gradually displaced the Iranian-rooted dynasties that had issued their own civic coinage for generations. The Sh&K reference places this among the typology documented by Shchanyabag and Kochnev, whose work remains the principal scholarly framework for these poorly-understood Central Asian bronzes.