Katalog
| İhraççı | Lucani |
|---|---|
| Yıl | 209 BC - 207 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | |
| Bileşim | Bronze |
| Ağırlık | 8.16 g |
| Çap | 21 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HN Italy#1451 , SNG Munich 3#802 |
| Ön yüz açıklaması | Laureate head of Zeus to right. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Eagle with open wings standing to left on thunderbolt; ΛOYKANOM around. |
| Arka yüz yazısı | Old Italics |
| Arka yüz lejandı | ΛOΥΚΑΝOM |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (209 BC - 207 BC) - - |
| Numisquare Kimliği | 4538247920 |
| Ek bilgiler |
Historical Context: This Æ unit, issued by the Lucani between 209 BC and 207 BC, originates from a critical period of the Second Punic War. The Lucani, an Oscan tribe, were strategically positioned between Rome and Hannibal's Carthage. Having initially allied with Hannibal, this coinage was struck during Rome's forceful reconquest of Magna Graecia, particularly after Tarentum's recapture in 209 BC. Its issuance reflects the Lucani's precarious economic autonomy amidst significant military upheaval and Rome's assertion of control.
Artistry: While specific engraver details are lost, this bronze unit adheres to Hellenistic stylistic traditions common in Magna Graecia, often with a utilitarian execution typical of wartime issues. Lucanian coinage frequently depicted local deities or personifications, rendered with a directness characteristic of regional workshops. The designs, though unspecified, served as practical currency and symbolic assertions of identity, reflecting local iconography and the era's urgent needs.
Technical/Grading: Struck in bronze, this 8.16 gram, 21 mm unit displays characteristics of late Punic War-era Italian bronzes. For optimal grading, a well-centered strike is crucial, ensuring the full design is present. High points, such as a portrait's hair or an animal's musculature, are often susceptible to wear. A strong, even if slightly irregular, strike is desirable, providing clear details and minimizing flatness, common in these utilitarian wartime issues.