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| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | A horseman galloping vigorously to the right, clad in a chlamys billowing behind him; he raises a palm branch in his extended right hand, a symbol of victory. The horse is depicted in a dynamic, rearing pose with pronounced musculature. An Iberian legend in the Levantine semi-syllabic script appears in the exergue, identifying the issuing mint of Iltirta. The composition closely follows Iberian denarius prototypes, combining Hellenistic equestrian imagery with indigenous epigraphic conventions. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | iltir-ta |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | ログイン して詳細を見る |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
The Ilergetes were the most powerful of the Iberian tribal confederacies in the northeastern peninsula, and their political weight is reflected in the longevity of this coinage — a production run spanning over five decades. Their kings Indibilis and Mandonius had allied with Carthage during the Second Punic War, then switched to Rome when the calculus shifted, a pragmatism that bought the people a generation of relative autonomy. Iltirta, their principal settlement near modern Lleida, operated one of the most prolific indigenous mints in Hispania Citerior.
The series referenced by ACIP 1256 belongs to a later phase of production, after Roman administrative consolidation had begun forcing Iberian mints toward standardized weight norms. The terminus of 72 BC is not arbitrary — it coincides with Sertorius's defeat and the subsequent suppression of the last organized resistance in the region under Pompey.