Catalog
| Issuer | Beuibum |
|---|---|
| Year | 150 BC - 1 BC |
| Type | Standard circulation coin |
| Value | 1 Unit |
| Currency | Unit |
| Composition | Bronze |
| Weight | 13.3 g |
| Diameter | 25 mm |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | ACIP#980 |
| Obverse description | Head of Melqart facing left, wearing lion`s skin. Club on shoulder. |
|---|---|
| Obverse script | |
| Obverse lettering | ANDVGEP . SISCV . TVL |
| Reverse description | Two dolphins left with inscription between them. Lusitanian script. |
| Reverse script | |
| Reverse lettering |
(Translation: Beuibum) |
| Edge | |
| Mint | |
| Mintage |
ND (150 BC - 1 BC) - - |
| Numisquare ID | 3125016000 |
| Additional information |
Historical Context: This Æ Unit, issued by the Iberian community of Beuibum between 150 BC and 1 BC, offers crucial insight into the monetary landscape of Hispania during a period of intense Roman expansion. The sustained production of local bronze coinage by Beuibum underscores the economic autonomy and cultural identity maintained by indigenous communities. These units facilitated local trade and daily transactions, reflecting the adaptation of Iberian societies to evolving economic demands amidst increasing Roman influence.
Artistry: While specific engravers remain anonymous, the coin’s design likely adheres to the distinctive Iberian stylistic school, possibly incorporating Hellenistic or early Roman influences prevalent during this era. Typically, such bronze issues feature a male head on the obverse, often bearded, representing a local deity or hero, symbolizing community identity. The reverse commonly depicts an animal, such as a horse or bull, or a rider, conveying strength or tribal totems. The execution would have been robust, characteristic of indigenous minting.
Technical/Grading: Struck in bronze with a substantial weight of 13.3 grams and a diameter of 25 mm, this Æ unit typically exhibits variable strike quality. High-points susceptible to wear would include the hair, facial features, or the musculature of any animal depicted. Technical strike qualities often reveal evidence of hand-striking, such as off-centering, minor flan irregularities, or areas of weaker strike. Die wear could also manifest as loss of fine detail. A well-centered, fully struck example with minimal wear is highly desirable, showcasing the full artistic intent.