Catalogus
| Uitgever | Beuibum |
|---|---|
| Jaar | 150 BC - 50 BC |
| Type | Standard circulation coin |
| Waarde | 1 Unit |
| Valuta | Unit |
| Samenstelling | Bronze |
| Gewicht | 10.8 g |
| Diameter | 26 mm |
| Dikte | |
| Vorm | Round (irregular) |
| Techniek | Hammered |
| Oriëntatie | Medal alignment ↑↑ |
| Graveur(s) | |
| In omloop tot | |
| Referentie(s) | FAB#1625 |
| Beschrijving voorzijde | Head of Melkart-Herakles left, wearing lion`s skin headdress; club on left shoulder. |
|---|---|
| Schrift voorzijde | |
| Opschrift voorzijde | |
| Beschrijving keerzijde | Two fish swimming right. Sudlusitan legend between them. |
| Schrift keerzijde | |
| Opschrift keerzijde |
(Translation: Beuibum) |
| Rand | |
| Muntplaats | |
| Oplage |
ND (150 BC - 50 BC) - Ketovion - |
| Numisquare-ID | 1191460930 |
| Aanvullende informatie |
Historical Context: The Æ Unit from Beuibum, dated 150-50 BC, falls within the turbulent Roman expansion into the Iberian Peninsula. Beuibum, an ancient Iberian mint, likely in Hispania Citerior, maintained economic autonomy by issuing these bronze units. Such local currency was crucial for trade and daily transactions amidst growing Roman influence. These coins reflect the cultural identity and political status of the issuing tribal entity, serving as vital mediums of exchange before full Romanization.
Artistry: Coinage from Iberian mints of this era typically features distinctive local iconography. Common obverse motifs include a stylized male head, often bearded, representing a local hero or deity. The reverse frequently depicts an Iberian horseman or local fauna, rendered in a robust, somewhat schematic style characteristic of indigenous Iberian artistry. Engravers were local artisans, influenced by provincial issues but maintaining a strong native aesthetic, prioritizing recognizable cultural symbols over Hellenistic realism.
Technical/Grading: This bronze unit, weighing 10.8 grams and measuring 26 millimeters, is a substantial module. Strike quality for indigenous Iberian bronzes varies; high points for grading include the definition of the obverse portrait's hair and facial features, and intricate reverse details. Flans were often cast, leading to irregular shapes and potential off-center strikes. Patination, from dark green to brown, is critical for preservation. The FAB#1625 reference denotes its specific type within the numismatic catalog.