Katalog
| İhraççı | Atella |
|---|---|
| Yıl | 216 BC - 211 BC |
| Tür | Standard circulation coin |
| Değer | |
| Para birimi | Drachm |
| Bileşim | Bronze |
| Ağırlık | 5.66 g |
| Çap | 21 mm |
| Kalınlık | |
| Şekil | Round (irregular) |
| Teknik | Hammered |
| Yönlendirme | Variable alignment ↺ |
| Gravürcü(ler) | |
| Dolaşımda olduğu yıl | |
| Referans(lar) | HN Italy#468 , SambonArt#1056 , SNG France#408 , AMB Basel#30 , de Luynes#60 |
| Ön yüz açıklaması | Radiate head of Sol facing; star to left. |
|---|---|
| Ön yüz yazısı | |
| Ön yüz lejandı | |
| Arka yüz açıklaması | Elephant advancing right; aderl (in Oscan) below. |
| Arka yüz yazısı | Old Italics |
| Arka yüz lejandı | |
| Kenar | |
| Darphane | |
| Basma adedi |
ND (216 BC - 211 BC) - - |
| Numisquare Kimliği | 6790086530 |
| Ek bilgiler |
Historical Context: This Æ Uncia was struck by the Campanian city of Atella during the tumultuous Second Punic War, specifically 216-211 BC. After the Roman defeat at Cannae, Atella, like many southern Italian cities, allied with Hannibal, asserting autonomy. Issuing local bronze coinage, adopting the Roman uncial standard, underscores the city's efforts to maintain its economy and civic identity amidst conflict. This coinage ceased abruptly in 211 BC when Atella was retaken by Roman forces, ending its minting rights.
Artistry: While no specific engraver is known, this coin reflects the pragmatic artistry typical of Campanian wartime issues. The stylistic school blends Hellenistic influences, common in Magna Graecia, with a robust, local interpretation. Designs for these unciae typically featured a prominent deity head on the obverse, such as Zeus or Minerva, paired with a local symbol or animal on the reverse, often accompanied by the characteristic pellet marking the uncial denomination. Functional execution conveyed civic identity and authority.
Technical/Grading: Struck on a bronze flan weighing 5.66 grams and measuring 21 millimeters, the technical strike quality of these wartime issues varies. High-points, typically on highest relief areas like the hair or facial features of the obverse deity, often show weakness due to die wear or incomplete strike. Planchets are frequently irregular, and off-center strikes are not uncommon. Collectors evaluate for strong centering, well-preserved flan, and clear denomination mark to assess strike quality and appeal.