Triobol - Philokles

İhraççı Argos
Yıl 90 BC - 40 BC
Tür Standard circulation coin
Değer Triobol (1/2)
Para birimi Drachm
Bileşim Silver
Ağırlık 2.29 g
Çap 15 mm
Kalınlık
Şekil Round (irregular)
Teknik Hammered, Incuse
Yönlendirme Variable alignment ↺
Gravürcü(ler)
Dolaşımda olduğu yıl
Referans(lar) Peloponnesos#1175-1176 Greek#124 , Nanteuil#953 Copenhagen#45
Ön yüz açıklaması Forepart of wolf at bay to left.
Ön yüz yazısı
Ön yüz lejandı
Arka yüz açıklaması Large A; krater inscribed with NE monogram below, ΦI-ΛO/K-Λ/H-Σ around; all within incuse square.
Arka yüz yazısı Greek
Arka yüz lejandı ΦI ΛO K Λ H Σ
Kenar
Darphane
Basma adedi ND (90 BC - 40 BC) - -
ND (90 BC - 40 BC) - without NE inscription on krater -
Numisquare Kimliği 3688049570
Ek bilgiler

Historical Context: This silver triobol, issued by Argos between 90-40 BC under the magistrate Philokles, places it within the late Hellenistic period, a time of increasing Roman influence in Greece. The coin's existence signifies Argos's enduring civic autonomy and its capacity to manage local currency. Philokles's name attests to his administrative authority and responsibility for the mint, reflecting the continued tradition of civic magistrates overseeing financial matters in this historically prominent Peloponnesian city-state.

Artistry: The design of this triobol exemplifies late Hellenistic Greek numismatic art. While the specific engraver is anonymous, the stylistic school typically combined classical ideals with emerging realism. The obverse likely features the head of Hera, Argos's patron goddess, rendered with traditional attributes. The reverse would typically display a civic emblem, such as a club or monogram, accompanied by the ethnic ARGON and the name of the issuing magistrate, Philokles, in clear Greek script, affirming the city's distinct numismatic identity.

Technical/Grading: Struck on a 2.29-gram, 15-millimeter silver flan, this triobol adheres to standard denominational specifications. Key high-points prone to wear include the obverse's hair and facial features, and the most prominent elements of the reverse device. Well-struck examples exhibit sharp details, good centering, and a relatively full strike, particularly on the magistrate's name and ethnic. Minor off-centering or die wear, typical for issues of this era, can occur, yet strong strikes reveal the intended artistic and technical integrity.

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