Catalogo
| Emittente | Mantinea |
|---|---|
| Anno | 495 BC - 480 BC |
| Tipo | Standard circulation coin |
| Valore | 1 Triobol = 1/2 Drachm |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 2.54 g |
| Diametro | |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered |
| Orientamento | |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | BCD Peloponnesos#1448 |
| Descrizione del dritto | Bear, the transformed nymph Kallisto, walking to the left with open jaws. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | M-A divided by transverse dolphin swimming to upper left |
| Scrittura del rovescio | Greek |
| Legenda del rovescio | ΜΑ |
| Bordo | |
| Zecca | |
| Tiratura |
ND (495 BC - 480 BC) - - |
| ID Numisquare | 4029236280 |
| Informazioni aggiuntive |
Historical Context: This silver triobol, struck by the Arcadian city of Mantinea between 495 and 480 BC, originates from a pivotal era in ancient Greece. Mantinea, a prominent Peloponnesian polis, navigated complex political dynamics, often balancing alliances and rivalries with Sparta. The issuance of this half-drachm denomination underscores Mantinea's economic autonomy and its active participation in regional commerce during the late Archaic period, preceding the Greco-Persian Wars, asserting sovereignty.
Artistry: While the specific engraver remains anonymous, this triobol exemplifies the transition from late Archaic to early Early Classical Greek numismatic art. The design, typically featuring a robust, stylized head of Zeus on the obverse and an Arcadian symbol, such as an eagle or bear, on the reverse, showcases the strong outlines and somewhat rigid forms characteristic of the period. Details are rendered with symbolic representation over naturalistic realism, reflecting prevailing artistic conventions, reinforcing Mantinea's civic and religious identity.
Technical/Grading: This silver triobol, weighing 2.54 grams, typically exhibits characteristics common to early Peloponnesian issues. High-points susceptible to wear or strike weakness include the highest relief areas of the deity's hair or headdress on the obverse, and the musculature or extremities of any animal motif on the reverse. A well-struck example shows clear definition. Technical qualities vary; collectors assess centering, die breaks, and flan integrity. Strike quality, though robust, can show minor die shift or irregular flan preparation, typical of the era.