Trihemiobol

Emitent Perrhaiboi
Rok 450 BC - 430 BC
Typ Standard circulation coin
Hodnota Trihemiobol (1/4)
Měna Drachm
Složení Silver
Hmotnost 1.36 g
Průměr
Tloušťka
Tvar Round (irregular)
Technika Hammered
Orientace
Rytci
V oběhu do
Reference BCD Thessaly I#1240, BMC Greek#3
Popis líce Thessalian cavalryman, wearing petasos and chlamys and holding two spears, riding horse walking to left
Písmo líce
Opis líce
Popis rubu Athena (?), draped, seated to left on high-backed chair, holding crested, Corinthian helmet in both hands
Písmo rubu Greek
Opis rubu Π Ε Ρ Α
Hrana
Mincovna
Náklad ND (450 BC - 430 BC) - -
ID Numisquare 2611575750
Další informace

Historical Context: The Perrhaiboi, a confederation of tribes inhabiting northern Thessaly, issued this silver trihemiobol between 450 and 430 BC. This period falls within the Early Classical era, a time of significant cultural and economic development in the Greek world, just prior to the full onset of the Peloponnesian War. Such fractional coinage was crucial for local commerce and daily transactions within the Perrhaibian territories, which, though often under the influence of the Thessalian League, maintained a distinct regional identity and economy, largely based on agriculture and renowned horse breeding.

Artistry: The design of this trihemiobol, while not attributable to a specific engraver, aligns with the Early Classical stylistic school, showcasing a blend of evolving naturalism and traditional iconography. The obverse typically features a finely rendered head of a nymph, possibly Larissa or a local heroine, characterized by delicate features and an emerging sense of three-dimensionality. The reverse commonly depicts a spirited horse forepart, a potent symbol of Thessaly's famed cavalry and equestrian heritage, executed with attention to muscular detail despite the coin's small module.

Technical/Grading: This 1.36-gram silver trihemiobol typically exhibits a compact flan, often with some degree of off-centering, which is common for fractional issues of the period. Key high-points for assessing wear and strike quality include the intricate hair details and facial contours of the nymph on the obverse, and the mane, chest, and musculature of the horse on the reverse. A well-struck example will show clear definition in these areas, though minor die wear or a slightly uneven strike can be expected given the ancient minting techniques.

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