Catalogue
| Émetteur | Rhegion |
|---|---|
| Année | 215 BC - 150 BC |
| Type | Standard circulation coin |
| Valeur | |
| Devise | Drachm |
| Composition | Bronze |
| Poids | 11.35 g |
| Diamètre | 22 mm |
| Épaisseur | |
| Forme | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Graveur(s) | |
| En circulation jusqu’à | |
| Référence(s) | HN Italy#2550 3#743-744 Copenhagen#1967 4#1673 |
| Description de l’avers | Jugate heads of Apollo and Artemis right. |
|---|---|
| Écriture de l’avers | |
| Légende de l’avers | |
| Description du revers | Tripod. |
| Écriture du revers | Greek |
| Légende du revers | ΡΗΓΙΝΩΝ |
| Tranche | |
| Atelier | |
| Tirage |
ND (215 BC - 150 BC) - - |
| ID Numisquare | 4985377940 |
| Informations supplémentaires |
Historical Context: This Triens from Rhegion, issued 215-150 BC, reflects a critical period in Magna Graecia. Coinciding with the Second Punic War and subsequent Roman consolidation, Rhegion, a Greek polis, navigated increasing Roman hegemony. The adoption of the Triens denomination, inherently Roman (one-third of an as), signals the city's integration into the Roman monetary system. This bronze issue represents Rhegion's continued local economic function and identity amidst profound political and monetary shifts.
Artistry: While specific engravers are unrecorded, the stylistic school is Hellenistic Greek, characterized by naturalism and idealized forms. Numismatic art of this era emphasized symbolic representations. Typically, the obverse would feature a deity or mythological figure significant to Rhegion, while the reverse displayed a local emblem or the denomination's value, often denoted by four pellets for a Triens. The design's purpose was clear identification, civic pride, and monetary function.
Technical/Grading: Weighing 11.35 grams and measuring 22 millimeters, this bronze Triens is a substantial local currency. High-points prone to wear include hair and facial features on the obverse, and prominent reverse elements. Bronze coinage of this era often shows variable strike quality due to hand-operated presses. Common characteristics include off-center strikes, weak impressions, and planchet imperfections. A well-struck example exhibits sharp central details, a full flan, and minimal porosity, indicating careful production.