| Ön yüz açıklaması |
Bare head of Claudius left. |
| Ön yüz yazısı |
Greek |
| Ön yüz lejandı |
ΤΙ ΚΛΑΥΔΙΟΣ ΚΑΙΣΑΡ ΣΕ ΓΕΡΜ ΑΡΧ ΜΕΓ ΔΗΜ ΕΞΟΥ ΥΠΑ (Translation: Tiberius Claudius Caesar Augustus Germanicus, chief priest, with tribunician power, consul) |
| Arka yüz açıklaması |
Statue of Divus Augustus, in a toga, seated on a curule chair, holding patera and sceptre, left; Feet rest on stool; in the field, seven stars. |
| Arka yüz yazısı |
|
| Arka yüz lejandı |
|
| Kenar |
|
| Darphane |
|
| Basma adedi |
ND (41-54) - - |
| Numisquare Kimliği |
2407193330 |
Historical Context: This silver tridrachm, struck between 41 and 54 AD, places it firmly within the reign of the Roman Emperor Claudius. An unexpected ruler, Claudius was known for his significant administrative reforms, expansion of the empire into Britain, and efforts to integrate provincial populations. The issuance of silver coinage by an uncertain Cretan city underscores the economic vitality and continued local autonomy of certain Greek cities under Roman rule. Such issues served regional commerce, demonstrating loyalty to the emperor while maintaining traditional Greek denominations and iconography, reflecting Crete's strategic position between the Aegean and North Africa.
Artistry: The obverse of this tridrachm typically features a laureate bust of Claudius, rendered in a provincial Roman Imperial style that blends official Roman portraiture with local Hellenistic artistic traditions. While the specific engraver remains anonymous, as is common for provincial issues, the style would aim for a recognizable, if sometimes slightly less refined, depiction of the emperor. The reverse likely displays a local deity or civic emblem, characteristic of Cretan mints, reflecting the city's identity or religious affiliations. The overall design would have been a testament to both imperial authority and local cultural expression.
Technical/Grading: Weighing 7.48 grams and measuring 24 millimeters, this tridrachm conforms to the expected specifications for the denomination. For grading, key high-points on the obverse would include the hair over Claudius's forehead, his ear, and the highest points of the laurel wreath. On the reverse, the details of the specific emblem or deity would be crucial. A premium example would exhibit a strong, well-centered strike, full details on both sides, and minimal die wear or planchet imperfections, which can often be present in provincial issues due to varied production standards.