Trichalkon

Emissor Metropolis
Ano 225 BC - 175 BC
Tipo Standard circulation coin
Valor Trichalkon (1⁄16)
Moeda Drachm
Composição Bronze
Peso 6.3 g
Diâmetro 18.5 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) BCD Thessaly II#481.3, HGC 4#256, SNG Copenhagen#174
Descrição do anverso Laureate head of Apollo facing right
Escrita do anverso
Legenda do anverso
Descrição do reverso Aphrodite Kastneia standing left, holding a dove amd leaning on a column. To the left, Eros standing right, reaching up towards the dove
Escrita do reverso Greek
Legenda do reverso MHTPOΠOΛΙTΩN
(Translation: The Metropolitans)
Bordo
Casa da moeda
Tiragem ND (225 BC - 175 BC) - -
ID Numisquare 3339734060
Informações adicionais

Historical Context: This Trichalkon was issued by the city of Metropolis in Thessaly during a dynamic period spanning 225 BC to 175 BC. This era was characterized by the waning influence of Macedon and the rising power of the Aetolian League, eventually leading to Roman intervention. As a civic issue, this bronze coinage underscores Metropolis's local autonomy and economic self-sufficiency amidst regional conflicts and shifting hegemonies. Such issues were vital for daily commerce, facilitating local transactions in a period of considerable political flux for Thessaly.

Artistry: While the specific engraver remains anonymous, this Trichalkon exemplifies the Hellenistic stylistic school prevalent in Greek coinage of the period. The design typically features a dignified portrait of a prominent deity on the obverse, often reflecting local cults or pan-Hellenic figures. The reverse commonly displays a civic emblem or a local legend, rendered with a blend of classical idealism and emerging realism. The artistic execution, though on a bronze flan, aimed for clarity, reflecting the city's cultural identity and religious affiliations.

Technical/Grading: Struck in bronze, this trichalkon measures 18.5 mm in diameter and weighs 6.3 grams, consistent with its denomination. When assessing its technical quality, particular attention is paid to the high-points of the obverse portrait, such as the hair and facial features, which are often the first areas to show wear or weak strike. On the reverse, details of the central motif and legend are critical. Bronze coinage from this period can frequently exhibit off-centering or flan irregularities, making well-centered and fully struck examples particularly desirable, as referenced by BCD Thessaly II#481.3, HGC 4#256, and SNG Copenhagen#174.

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