Tremissis - Recaredo I Caesaraugusta

Emissor Visigothic Kingdom
Ano 586-601
Tipo Standard circulation coin
Valor 1 Tremissis
Moeda Tremissis
Composição Gold
Peso 1.48 g
Diâmetro
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação
Gravador(es)
Em circulação até
Referência(s) CNV#120, Pliego#70
Descrição do anverso
Escrita do anverso Latin
Legenda do anverso RECCAREDVS RE
Descrição do reverso
Escrita do reverso Latin
Legenda do reverso CE:AR:CO:TA:IV
Bordo
Casa da moeda
Tiragem ND (586-601) - -
ID Numisquare 3690212090
Informações adicionais

Historical Context: This Tremissis, minted in Caesaraugusta under Recaredo I (586-601), marks a pivotal era for the Visigothic Kingdom. Recaredo's 587 conversion from Arianism to Nicene Christianity fundamentally reshaped the kingdom, fostering religious and political unity. This coinage thus symbolizes the consolidation of royal authority and a unified Visigothic identity, departing profoundly from earlier, religiously divided periods. The Caesaraugusta mint played a significant role in disseminating this new royal and religious iconography.

Artistry: Visigothic numismatic art, exemplified here, shows a distinct stylistic evolution from classical Roman and Byzantine prototypes towards an abstract, schematized aesthetic. The obverse typically features a frontal, stylized bust of Recaredo, diademed and draped, with a royal legend. The reverse commonly displays a cross potent on steps, representing Christian sovereignty, accompanied by the mint name, Caesaraugusta. This design choice powerfully underscores the kingdom's religious transformation and the establishment of a distinct Visigothic artistic idiom.

Technical/Grading: Struck from high-purity gold, this Tremissis weighs 1.48 grams, consistent with the standard. Visigothic issues frequently exhibit technical eccentricities. High-points on the obverse include the king's nose, forehead, and diadem; reverse high-points are the cross's center and upper steps. Collectors often encounter irregular flans, leading to off-center strikes or partial legends. Die wear and occasional double striking are also common, reflecting the artisanal production methods of the era and contributing to the unique character of each piece.

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