Tremissis - Moneyer Trasemundus Maastricht
| Issuer | Austrasia, Kingdom of |
|---|---|
| Year | 550-675 |
| Type | Standard circulation coin |
| Value | 1 Tremissis (⅓) |
| Currency | Tremissis (476-670) |
| Composition | Gold |
| Weight | 1.28 g |
| Diameter | |
| Thickness | |
| Shape | Round (irregular) |
| Technique | Hammered |
| Orientation | Variable alignment ↺ |
| Engraver(s) | |
| In circulation to | |
| Reference(s) | Prou Mer#1175 , Delmonte G#22 , Belfort#4435 |
| Obverse description | Diademed and draped bust left. |
|---|---|
| Obverse script | Latin |
| Obverse lettering |
TRECTO FIT (Translation: Minted in Maastricht.) |
| Reverse description | Standing cross with three pellets around. |
| Reverse script | Latin |
| Reverse lettering |
TNRAഗEMNDVഗ MO (Translation: Moneyer Trasemundus.) |
| Edge | |
| Mint | |
| Mintage |
ND (550-675) - - |
| Numisquare ID | 1346465870 |
| Additional information |
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Historical Context: This Tremissis, struck by moneyer Trasemundus at the Maastricht mint, originates from the Merovingian Kingdom of Austrasia (550-675 CE). This era saw the consolidation of Frankish power, yet significant local autonomy persisted in coinage. Gold tremisses were vital high-value currency, continuing late Roman monetary traditions and facilitating trade. The prominence of a named moneyer highlights the decentralized nature of Merovingian minting authority.
Artistry: The coin's design, attributed to Trasemundus's workshop, exemplifies Merovingian numismatic style. While drawing inspiration from late Roman prototypes, execution moved away from classical realism. Obverse busts are typically highly stylized, often facing right with simplified features. The reverse commonly features a prominent Christian symbol, such as a cross potent on steps. Legends, frequently retrograde or blundered, usually identify the moneyer and mint, reflecting an early medieval aesthetic.
Technical/Grading: Weighing 1.28 grams, this gold tremissis exhibits typical Merovingian striking characteristics. High points for wear or strike generally include the obverse bust's hair and facial details, or the central elements of the reverse cross. Due to rapid production and less refined techniques, examples often show irregular flans, off-center strikes, or areas of weakness, especially on legends. Accurate grading requires careful assessment of strike quality and flan integrity.