カタログ
登録が必要な理由は?ボットからカタログを守るためだけです。メールアドレスは非公開で、共有したり許可なくメールを送ることは一切ありません。それをお約束します!
| 表面の説明 | ログイン して詳細を見る |
|---|---|
| 表面の文字体系 | ログイン して詳細を見る |
| 表面の銘文 | ログイン して詳細を見る |
| 裏面の説明 | Stylized facing bust, similar in execution to the obverse, centrally placed within a field densely populated with six-pointed stars arranged symmetrically around the effigy. Two pellets flank the bust at mid-level, and the composition is enclosed within a beaded border. The highly schematized rendering of the royal portrait and the star-filled field are hallmarks of the Emerita mint's output under Chintila, reflecting the strongly abstracted artistic conventions of seventh-century Visigothic gold coinage. |
| 裏面の文字体系 | ログイン して詳細を見る |
| 裏面の銘文 | ログイン して詳細を見る |
| 縁 | ログイン して詳細を見る |
| 鋳造所 | Emerita (Mérida) |
| 鋳造数 | ログイン して詳細を見る |
| 追加情報 |
Chintila's reign lasted barely three years, bookended by two Toledo church councils — the Fourth in 633 and the Sixth in 638 — that together forced the king to issue formal guarantees protecting the nobility from arbitrary royal punishment. That political pressure from the ecclesiastical aristocracy defined his rule more than any military campaign. Emerita Augusta, modern Mérida, remained one of the Visigothic kingdom's most productive mints, its output traceable through the CNV classification system developed by Crusafont i Sabater.