カタログ
| 発行体 | Second Bulgarian Empire |
|---|---|
| 年号 | 1300-1322 |
| 種類 | Standard circulation coin |
| 額面 | Trachy |
| 通貨 | Grosh (1185-1396) |
| 材質 | Copper |
| 重量 | 1.45 g |
| 直径 | 22 mm |
| 厚さ | |
| 形状 | Concave |
| 製造技法 | Hammered (scyphate) |
| 向き | Coin alignment ↑↓ |
| 彫刻師 | |
| 流通終了年 | |
| 参考文献 |
| 表面の説明 | Big Cross with annulets at each point. |
|---|---|
| 表面の文字体系 | |
| 表面の銘文 | |
| 裏面の説明 | Todor Svetoslav facing on horseback right, holding cross-tipped scepter. |
| 裏面の文字体系 | |
| 裏面の銘文 | ΘЄO цр |
| 縁 | Plain |
| 鋳造所 | |
| 鋳造数 |
ND (1300-1322) - Veliko Turnovo mint - |
| Numisquare ID | 6119446720 |
| 追加情報 |
Historical Context: This copper trachy was issued during the reign of Theodor Svetoslav (1300-1322), a pivotal period for the Second Bulgarian Empire. Svetoslav ascended to the throne amidst significant internal strife and external pressures, including Mongol suzerainty. His rule marked a resurgence of Bulgarian power, characterized by political consolidation, territorial expansion, and the restoration of economic stability. This humble copper denomination served as the backbone of daily commerce, reflecting the revitalized monetary system and the sovereign authority of the Bulgarian monarch over his realm, essential for facilitating trade and maintaining public order.
Artistry: The design of this trachy, while broadly adhering to the established numismatic iconography of the Byzantine tradition, showcases the distinct stylistic interpretation characteristic of Bulgarian mints. Engravers, whose identities remain anonymous, typically rendered figures with a stylized, often linear quality, prioritizing legibility over intricate detail. The obverse commonly features a standing depiction of Theodor Svetoslav, often holding imperial regalia, symbolizing his divinely sanctioned rule. The reverse frequently portrays a religious figure, such as Christ Pantocrator or a patron saint, underscoring the deep religious piety intertwined with state authority during the medieval era.
Technical/Grading: As a copper issue from the early 14th century, this trachy typically exhibits an irregular flan, often with variations in thickness and a somewhat uneven, sometimes slightly concave, profile. Strikes are frequently inconsistent, with details often weak or off-center due to manual striking methods. High-points susceptible to wear or incomplete striking include facial features, details of crowns or headwear, and the extremities of figures. The copper alloy itself often contains impurities, which can result in surface granularity or minor pitting, characteristic of heavily circulated medieval coinage. Well-preserved examples with clear legends and complete design elements are scarce.