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| 正面描述 | Central depiction of a Bhadrapitra, a square or rectangular tiered pedestal traditionally used for placing sacred icons and idols, rendered in low relief with bold, archaic lines. Three oil lamps or flame motifs are depicted rising above the upper register of the pedestal, arranged symmetrically and flanked by subsidiary decorative elements in the field. The design is characteristic of the deeply religious Buddhist iconographic tradition prevalent under the Konbaung Dynasty. The irregular flan results in some design weakness at the periphery, consistent with hand-hammered silver coinage of the period. |
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| 正面铭文 | 登录 以查看详情 |
| 背面描述 | 登录 以查看详情 |
| 背面文字 | 登录 以查看详情 |
| 背面铭文 | 登录 以查看详情 |
| 边缘 | Plain |
| 铸币厂 | 登录 以查看详情 |
| 铸造量 | 登录 以查看详情 |
| 附加信息 |
Bodawpaya seized the Burmese throne in 1782 after executing his nephews and consolidating power following the chaos that followed Hsinbyushin's death. His reign saw aggressive territorial expansion — including the annexation of Arakan in 1784 — which brought enormous quantities of Arakanese silver and coinage into Burmese circulation, complicating the existing monetary supply. These fractional silver tokens were likely produced in response to persistent shortages of small-denomination currency in a monetized economy that official coinage never quite kept pace with. The Konbaung court did not operate a centralized mint in the Western sense.