Tetrobol

発行体 Ainos
年号 431 BC - 429 BC
種類 Standard circulation coin
額面 Tetrobol (⅔)
通貨 Drachm
材質 Silver
重量 2.71 g
直径 13 mm
厚さ
形状 Round (irregular)
製造技法 Hammered, Incuse
向き Variable alignment ↺
彫刻師
流通終了年
参考文献 May Ainos#117 II#292 3.2#1272
表面の説明 Head of Hermes right, wearing petasos.
表面の文字体系
表面の銘文
裏面の説明 Goat standing right; labrys to right; all within incuse square.
裏面の文字体系 Greek
裏面の銘文 ΑΙΝ
鋳造所
鋳造数 ND (431 BC - 429 BC) - -
Numisquare ID 8787885680
追加情報

Historical Context: This silver tetrobol was issued by the Thracian city of Ainos between 431 BC and 429 BC, coinciding with the initial phase of the Peloponnesian War. Strategically located at the Hebros River mouth, Ainos was a prosperous port, its wealth derived from timber, gold, and agricultural trade. Its robust coinage facilitated commerce across the Aegean, underscoring the city's economic resilience and importance as an independent entity amidst escalating conflict. This continuous minting reflects Ainos' stable administration and significant regional role.

Artistry: The coin exemplifies the early High Classical style prevalent in Greek numismatic art. While the specific engraver remains anonymous, the craftsmanship is indicative of skilled artisans. The obverse features a finely rendered head of Hermes, patron god of merchants, typically depicted youthful and wearing a distinctive petasos, often winged. This iconic portrayal is characteristic of Ainos' mint. The reverse usually displays a standing goat, sometimes with a caduceus, rendered with naturalism and detail, reflecting local resources or cultic association.

Technical/Grading: Struck on a 13mm silver flan weighing 2.71 grams, this tetrobol's technical quality varies. Key high-points susceptible to wear on the obverse include Hermes' petasos edges, hair, and facial features. On the reverse, the goat's horns, spine, and musculature are most vulnerable. Well-preserved examples exhibit a sharp strike, with full detail on Hermes' visage and the goat's anatomy. Due to the small flan and ancient striking methods, off-center strikes or areas of flatness are common, impacting overall grade and visual appeal.

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