Danh mục
| Đơn vị phát hành | Therma |
|---|---|
| Năm | 500 BC - 480 BC |
| Loại | Standard circulation coin |
| Mệnh giá | Tetrobol (⅔) |
| Tiền tệ | Drachm |
| Chất liệu | Silver |
| Trọng lượng | 1.46 g |
| Đường kính | |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered, Incuse |
| Hướng | |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | SNG Ashmolean#2391 |
| Mô tả mặt trước | Forepart of Pegasus facing right |
|---|---|
| Chữ viết mặt trước | |
| Chữ khắc mặt trước | |
| Mô tả mặt sau | Rough incuse |
| Chữ viết mặt sau | |
| Chữ khắc mặt sau | |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (500 BC - 480 BC) - - |
| ID Numisquare | 7259239420 |
| Thông tin bổ sung |
Historical Context: This silver tetrobol was issued by the ancient city of Therma, Macedon, between 500 BC and 480 BC. This late Archaic period saw significant economic growth and the emergence of independent Greek city-states. Therma, a vital coastal settlement, used its coinage to facilitate trade and assert economic autonomy within the rising Macedonian sphere and wider Hellenic world. Such denominations confirm its active participation in regional commerce, predating its renaming to Thessalonica.
Artistry: The artistic style of this tetrobol is characteristic of early 5th century BC Archaic numismatic art. While the engraver remains anonymous, the design typically features a prominent local symbol, often a horse or its forepart, rendered with powerful, stylized naturalism. The reverse commonly displays an incuse square, sometimes subdivided, a hallmark of early Greek coinage reflecting the punching technique. The robust execution captures the essence of early Hellenic numismatic art.
Technical/Grading: Weighing 1.46 grams, this tetrobol conforms to established regional weight standards. For optimal grading, collectors seek a strong strike on the central motif, such as the horse's head, mane, and musculature. Common technical characteristics of this era include an irregular flan shape and potential slight off-centring. A well-preserved example exhibits sharp details, minimal die wear, and a clear impression of both the obverse design and the reverse incuse.