Catalogo
| Emittente | Aphytis |
|---|---|
| Anno | 510 BC - 480 BC |
| Tipo | Standard circulation coin |
| Valore | Tetrobol (⅔) |
| Valuta | Drachm |
| Composizione | Silver |
| Peso | 2.47 g |
| Diametro | 12 mm |
| Spessore | |
| Forma | Round (irregular) |
| Tecnica | Hammered, Incuse |
| Orientamento | Variable alignment ↺ |
| Incisore/i | |
| In circolazione fino al | |
| Riferimento/i | Tzamalis#76 |
| Descrizione del dritto | Tripod. |
|---|---|
| Scrittura del dritto | |
| Legenda del dritto | |
| Descrizione del rovescio | Incuse square with eight triangular divisions, two of which are filled. |
| Scrittura del rovescio | |
| Legenda del rovescio | |
| Bordo | |
| Zecca | |
| Tiratura |
ND (510 BC - 480 BC) - - |
| ID Numisquare | 5583288870 |
| Informazioni aggiuntive |
Historical Context: The Aphytis tetrobol, issued 510-480 BC, originates from the Greek city of Aphytis in Chalcidice during the late Archaic period. This era was pivotal for Greek city-states, with coinage establishing economic autonomy and civic identity. Aphytis, known for its Dionysus sanctuary and nymph cults, likely minted this silver denomination for local and regional trade. Its production underscores the city's self-governing status and integration into the Hellenic economic sphere, typical for poleis without named rulers.
Artistry: The engraver is anonymous, typical for Archaic Greek coinage, reflecting the period's stylistic school. Though specific designs are unstated, Aphytis's cultural context suggests an obverse featuring a deity like Dionysus or a nymph, rendered with characteristic rigid forms and stylized features. The reverse would likely bear a simpler emblem, such as an amphora, grape cluster, or an incuse square. The artistry emphasizes symbolic representation and established iconography over detailed realism, indicative of early numismatic aesthetics.
Technical/Grading: This silver tetrobol, 2.47 grams and 12 millimeters, is a small denomination. High-points prone to wear include the highest relief areas of any obverse portrait (e.g., hair, cheek) and prominent reverse elements. Archaic strikes often show irregularities: variable flan shapes, off-center strikes, and die wear. A well-preserved example would exhibit a relatively full strike with legible details, minimal surface degradation, and a stable flan, demonstrating the technical capabilities and limitations of minting in this early period.