目录
| 发行方 | Potidaia |
|---|---|
| 年份 | 525 BC - 500 BC |
| 类型 | Standard circulation coin |
| 面值 | Tetrobol (⅔) |
| 货币 | Drachm |
| 材质 | Silver |
| 重量 | 2.91 g |
| 直径 | 15.0 mm |
| 厚度 | |
| 形状 | Round (irregular) |
| 制作工艺 | Hammered, Incuse |
| 方向 | |
| 雕刻师 | |
| 流通至 | |
| 参考资料 | SNG ANS 7#692 var. |
| 正面描述 | Horseman advancing left, holding trident with left hand. star below |
|---|---|
| 正面文字 | |
| 正面铭文 | |
| 背面描述 | Head of female right, with Archaic features, in linear square within incuse square |
| 背面文字 | |
| 背面铭文 | |
| 边缘 | |
| 铸币厂 | |
| 铸造量 |
ND (525 BC - 500 BC) - - |
| Numisquare 编号 | 4068132310 |
| 附加信息 |
Historical Context: Potidaia, a significant Corinthian colony in Chalcidice, issued this silver tetrobol between 525 and 500 BC, placing it within the Archaic period. Its strategic location made it a vital trading hub, facilitating commerce with its mother city and local Thracian populations. The consistent production of coinage, likely using silver from the Pangaion mines, highlights Potidaia's economic importance and growing autonomy during a formative era for Greek monetary systems.
Artistry: While the engraver is anonymous, typical for Archaic Greek coinage, this tetrobol reflects the period's developing artistic conventions. The obverse likely features a stylized head of Poseidon, Corinth's patron deity, rendered with characteristic frontality and rigid forms. His hair and beard would be decoratively ordered. The reverse typically bears a trident, Poseidon's attribute, executed with geometric precision, embodying the nascent stages of naturalistic representation.
Technical/Grading: This 2.91 gram, 15.0 mm silver tetrobol would exhibit typical early Greek coinage characteristics. High-points for a Poseidon head, such as the forehead and prominent curls, are often susceptible to weak strike or wear. The flan is likely somewhat irregular in shape and thickness. Centering can vary, and minor die breaks or planchet flaws are common, reflecting the artisanal production methods before more refined minting techniques.