Danh mục
| Đơn vị phát hành | Baletium |
|---|---|
| Năm | 480 BC - 460 BC |
| Loại | Standard circulation coin |
| Mệnh giá | Tetrobol (⅔) |
| Tiền tệ | Achaean drachm |
| Chất liệu | Silver |
| Trọng lượng | 2.37 g |
| Đường kính | 13 mm |
| Độ dày | |
| Hình dạng | Round (irregular) |
| Kỹ thuật | Hammered |
| Hướng | Variable alignment ↺ |
| Nghệ nhân khắc | |
| Lưu hành đến | |
| Tài liệu tham khảo | HN Italy#731 France#1468 , Jameson#79 |
| Mô tả mặt trước | Dolphin right; below BΑΛΕΘΑS retrograde; above, E. |
|---|---|
| Chữ viết mặt trước | Greek (retrograde) |
| Chữ khắc mặt trước | BΑΛΕΘΑS |
| Mô tả mặt sau | Crescent. |
| Chữ viết mặt sau | Greek (retrograde) |
| Chữ khắc mặt sau | ͰΕ ΒΑΛΕΘΑS |
| Cạnh | |
| Xưởng đúc | |
| Số lượng đúc |
ND (480 BC - 460 BC) - - |
| ID Numisquare | 2351420790 |
| Thông tin bổ sung |
Historical Context: This silver Tetrobol was issued by Baletium, an ancient Messapian city in Magna Graecia (modern Puglia), during the early Classical period, circa 480-460 BC. This era followed the Persian Wars, a time of increasing prosperity and cultural exchange for Greek and Hellenized communities in Southern Italy. Baletium's coinage reflects its economic autonomy and regional trade, underscoring its status as a thriving polis. The Tetrobol's issuance signifies a well-established civic administration and economic confidence.
Artistry: While the engraver remains anonymous, this Tetrobol exemplifies the evolving aesthetic of the early Classical Greek stylistic school. The design, typical for its period, likely featured a prominent deity or nymph on the obverse, rendered with nascent naturalism, moving beyond Archaic stiffness. The reverse often depicted a local symbol, animal, or agricultural motif, reflecting the city's identity. Artistic execution emphasized clarity and symbolic representation, characteristic of a transitional phase where idealized forms began to emerge.
Technical/Grading: Struck on a silver flan weighing 2.37 grams and measuring 13 millimeters, this Tetrobol exhibits typical early Classical minting characteristics. High-points for wear include hair and facial features on the obverse, and raised musculature or intricate details on the reverse. Technical strike quality varies; well-centered examples with full striking pressure are desirable. Flan shape is often irregular, and die wear, particularly on the reverse, is common. Examination for metal quality and planchet flaws is crucial for accurate grading.