Tetradrachm - Zeuxis

Emissor Laodikeia (Phrygia)
Ano 133 BC - 67 BC
Tipo Standard circulation coin
Valor Tetradrachm (4)
Moeda Cistophoric drachm
Composição Silver
Peso 12.63 g
Diâmetro 28 mm
Espessura
Formato Round (irregular)
Técnica Hammered
Orientação Medal alignment ↑↑
Gravador(es)
Em circulação até
Referência(s) BMC Greek#4 , SNG von Aulock#3798 , SNG Copenhagen#492
Descrição do anverso Cista mystica with serpent; all within ivy wreath.
Escrita do anverso
Legenda do anverso
Descrição do reverso Two snakes coiled around a bow case; to left, ΛAO; to right, winged kerykeion; between snakes heads, magistrate name in three lines.
Escrita do reverso Greek
Legenda do reverso ΛAO ZEYΞIΣ ΑΠΟΛΛΩΝΙΟΥ ΤΟΥ ΑΜΥΝΤΟΥ
Bordo
Casa da moeda
Tiragem ND (133 BC - 67 BC) - -
ID Numisquare 1085321480
Informações adicionais

Historical Context: This silver tetradrachm from Laodikeia ad Lycum, Phrygia, issued between 133 BC and 67 BC, marks a critical era in Asia Minor. Following the Attalid bequest to Rome, the region faced significant political upheaval, including the Mithridatic Wars. Laodikeia, a prosperous Hellenistic city, maintained economic vitality and civic autonomy, evidenced by its continued production of substantial silver issues. The magistrate Zeuxis, whose name appears, oversaw its minting, reflecting the city's self-governance amidst shifting regional powers and Roman influence.

Artistry: The coin’s artistry adheres to the refined late Hellenistic stylistic school. While the engraver remains anonymous, the obverse typically features a finely rendered deity, often the veiled and diademed bust of the city goddess or Zeus, blending classical idealism and nuanced realism. The reverse commonly depicts a standing civic deity or symbol, accompanied by the city’s ethnic and the magistrate Zeuxis’s name. This design reflects Laodikeia’s cultural sophistication, projecting civic identity and prosperity through its monetary emissions.

Technical/Grading: Struck on a 28mm silver flan, weighing 12.63 grams, this tetradrachm conforms to the Attic standard, ensuring broad acceptance. Key high-points for grading include the obverse portrait's highest relief areas (hair, diadem, facial features) and the reverse figure's intricate drapery or musculature. A well-struck example exhibits sharp details, clear legends, and a strong strike, though minor flan imperfections or slight off-centering are common, reflecting ancient minting's artisanal nature.

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